New dance fads developed virtually every week from the 1950s through the 1970s. Many were popularized (or marketed) versions of new styles or routines developed by African-American dancers who visited clubs and discotheques in major American cities such as New York, Philadelphia, and Detroit. Some of these dancers created many of the familiar dances seen today on television and at social events. Others introduced novelties of their own. Either way, they helped make dancing more attractive and accessible to a wider audience.
The dance craze began in 1954 with the emergence of what is now called the waltz. This elegant courtly dance was once popular throughout Europe but is now performed only by those interested in preserving its history. The first black dancers to tour America's nightclubs and concert halls with their own versions of the waltz and other popular dances were two brothers named Arthur Murray. They began their career in Detroit but soon had club engagements all over the country. Their unique style attracted a large following, and within a few years they had become the most famous pair of swing dancers in the world.
The next big thing was the twist. This dance was invented by two black men named Frankie Manning and Charles Wright. They performed it together during visits to northern white nightclubs where they would attract huge crowds by combining their own version of rock 'n' roll with African-American dances such as the shag and the sock hop.
Music, dance clubs, and movement were all popular in the 1970s. Many people are certainly acquainted with the great boom in disco dancing, but Chicago stepping and salsa (among a few others) were other noteworthy dance genres that captured society and motivated people to get on their feet.
Disco had become very popular by the late 1960s, but it was not the only kind of dance music being made at this time. Jazz and blues musicians were also coming up with new styles of dance music that they would play at their concerts. These dances could be anything from fast to slow, but they always included two things: rhythm and harmony.
In 1973, salsa became so popular that people started calling it "the dance of the decade." This name shows that many people were doing what Gilda Radner called "breaking out of their shells" when they danced salsa! Salsa is a combination of Spanish and African drums that came over with black slaves. They used to tell scary stories and dance around campfires at night to keep away evil spirits. Today, salsa can be heard everywhere from Miami to Madrid, and you will always see people moving to its beat.
Chicago stepping is another dance style that was popular in the 1970s. It originates from the South Side of Chicago where it is said to have been invented by two brothers named Crouch and Smalls.
From 1959 until the early 1960s, it was the first international dance fad, gaining enormous appeal among all people while garnering criticism from critics who thought it was too controversial. It influenced dances such as the Jerk, Pony, Watusi, Mashed Potato, Monkey, and Funky Chicken, although none were as popular.
Rather of performing the popular dances of the late nineteenth and early twentieth centuries, such as the polka, two-step, or waltz, the Roaring '20s produced a new dance craze: the Charleston. Where Did the Dance Come From? The Charleston has roots in old African American traditions of singing and dancing to the rhythm of hand clapping. It was brought to Pennsylvania by enslaved people who used it to express joy over being free. In the mid-19th century, it was taken up by working-class whites in London, who called it "working man's dance." Today, many different versions of the dance exist, but all include some of the original steps: bow, scissors, and crab walks.
The Charleston is thought to have originated in Charleston, South Carolina, but there are also reports that it came from New York City. Either way, it became very popular in the 1920s, when it was included in many jazz bands' sets. Duke Ellington's band was one of the first to do this, and they were followed by other musicians including Louis Armstrong, Bunk Johnson, Fats Waller, and Andy Kirk. The dance was so popular that it even made its way into white nightclubs, where black dancers would perform it for both black and white audiences alike.
Hip-hop dance emerged in the late 1960s and early 1970s, influenced by African dance patterns, and blossomed as a new kind of dance performed on the street for the people. The first hip-hop dancers were negroes who performed in Harlem nightclubs. They were followed by groups of white youths in Philadelphia and Boston who took hip-hop dancing to a higher level.
Today, hip-hop dance is done by many types of artists - from amateur dancers to professional athletes - across America and around the world. Hip-hop music has also become popular worldwide, with many musicians producing songs about life experiences or political issues.
Hip-hop dancing is a form of street dancing that came together in New York City during the 1970s and 1980s. First, there were individual dancers who would perform alone on the streets for money. Then, small groups would gather together to dance for fun or profit. Finally, some dancers decided to use their skills and practice them daily to become professionals who make a living through dancing. Today, hip-hop dancers can be seen everywhere from street festivals to the World Cup soccer game. There are even competitions where dancers vie for prizes such as cash and trips out of town.
Hip-hop dancing consists of multiple movements used in combination with one another to create a visual and musical display.
Hip hop and funk genres influenced a number of motions, rhythms, and concepts. However, during the last two decades or more, urban dance has developed its own personality. Urban dancers often use these movements to express themselves creatively.
The term "urban dance" was first used in 1969 by dancer and choreographer Billy Dee Williams. He coined it after combining "hip" with "street". Although he is considered the father of urban dancing, many musicians, actors, and athletes have also contributed to the development of this genre. In 2001, Vibe magazine named Robin Taylor as one of the 100 Most Important People of Hip Hop's First Century. They cited his role in developing hip hop into what it is today by introducing it to a mainstream audience.
He introduced hip-hop to a wide audience when he danced with Michael Jackson during the filming of Victory Over The Forces of Evil. This performance is considered one of the best examples of how hip-hop can be used to express oneself creatively through movement.
After seeing this clip, Williams decided to form his own group, which later became known as Poretta Vanittai Dancers. They performed at various festivals, concerts, and music awards shows until 1995 when they released their first album, Uptown Dance Party.