Surrealist Remedios/Periodos Varo, like the forefather of Surrealism, Giorgio de Chirico, employs a collage-style painting technique, with an emphasis on converging lines, geometric patterns, architectural forms, and sharply receding perspective. He also uses bright colors and simple shapes to create images that are at once decorative and provocative.
Varo began his artistic career as a cartoonist for newspapers and magazines in Madrid. In 1929, he moved to Paris, where he became acquainted with many leading figures of the European avant-garde scene. It was there that he developed his own visual language, which combined elements from cubism with decorative arts techniques such as glass blowing and sewing to produce imagery with a dreamlike quality.
In 1936, after the Spanish Civil War broke out, Varo returned to Madrid, where he worked as a graphic designer and illustrator until his death in 1973. His work is now held in major museums around the world including the Museum of Modern Art in New York, the Tate Gallery in London, and the National Gallery in Prague.
Besides being a painter, Varo was also a poet and playwright. He created more than 30 works between 1930 and 1973. Many of them were performed by famous artists and actors during this time period. Today, some of these plays are still performed in Spain and abroad.
Varo was inspired as a youngster in Spain by her engineer father, who taught her to sketch, and her rigid Catholic upbringing, which she rebelled against. She studied surrealism and political transformation after graduating from art school. When the Spanish Civil War broke out, Varo joined the Republican forces, who were fighting against Franco's fascists.
After the war ended in defeat for the Republicans, Varo moved to Paris, where she became associated with the emerging group of artists known as la escala (the scale). This term was used to describe the many Spaniards living in France at the time, who had become involved in the country's cultural life. Many were politicians or activists who wanted to create a more democratic Spain but lacked support from Franco so fled to Europe.
Varo was one of the first female sculptors in Europe, if not the first. She developed her own style which combined social commentary with references to mythology and history.
In addition to being a painter and sculptor, Varo was also a graphic artist, photographer, and filmmaker. Her work focused on social issues such as poverty, racism, and gender inequality. She traveled around Spain showing her paintings to encourage civil unrest during Franco's rule and was eventually arrested twice for her activities. However, both times she was released without charge.
Surrealism in contemporary art. Dada/Periods by Joan Miro.
He was a Spanish artist who had a huge influence on modern art. Joan Miro was born on January 25, 1924 in Barcelona, Spain. He studied at the School of Fine Arts in Barcelona and at the Académie de la Grande Chaumière in Paris, but mostly worked alone or with just one other person. His friends called him "the magician from San Sebastian" because he often painted pictures while listening to music. Miro died in Barcelona on March 18, 2001 at the age of 76.
His work is very unique and it's hard to describe. Sometimes he'd use real objects as inspiration for his paintings (such as pieces of cloth, old tools, etc.) but most of the time they're just ideas that come to mind when he looks at things around him. He had a way of putting feelings into his paintings that you wouldn't expect from something so realistic. For example, one of his paintings might show an ugly object such as a piece of meat or a dirty floor, but then inside the painting there would be beautiful flowers or elegant ladies hidden underneath all that dirt and horror.
112 pieces of art Remedios Varo: 112 artworks, the majority of which are paintings. She also produced drawings and sculptures.
Varo was one of the most important artists in 20th-century Spain. Her work is associated with the Nueva Figurative movement that developed in Spain after World War II. She was born in Madrid on March 18, 1903, and died there on April 2, 1992.
She studied at the School of Fine Arts in Madrid and at the Académie de la Grande Chaumière in Paris. In 1927 she had her first exhibition and soon became one of the leading figures of the New Objectivity movement in Spanish painting. Her early works were inspired by French symbolism and modernism, but from about 1934 she started to develop a personal style that can be described as "Magical Realism". This term was coined by American critics who visited Europe after World War II and noticed some similarities between the work of Varo and that of Latin American writers such as García Márquez or Carpentier.
The Yamato-e (Japanese painting) style was resurrected and kept by the Tosa school, and it was characterised by delicate, precise contour lines and varied colors. It is frequently seen on narrative scrolls, such as those depicting episodes from ancient literature (especially The Tale of Genji).
Yamato-e were also used as book covers or handouts to advertise events or sell merchandise. They could also be placed in a scroll case to protect the artwork while not being viewed.
In conclusion, Yamato-e were beautiful paintings used for entertainment purposes. They were not intended as educational tools nor were they used to convey political messages.
Piero's mature style is typified by his mythical works, which are infused with passionate desire. Many of them are based on Vitruvius' theory of human development. Piero also created portraits and religious paintings.
In addition to being one of the most important painters of his time, Piero was also a prominent mathematician and engineer. He invented a new method of making drawings for sculptures and used this technique to produce accurate plans for buildings such as churches and monasteries.
Piero died at the young age of forty-nine but he left more than fifty paintings that survive today. His work is represented worldwide in museums.
Piero della Francesca was an Italian painter who lived between 1420 and 1492. He was born in Arezzo into a wealthy family of merchants who owned land near Sansepolcro where Piero spent many years learning the trade of painting from two local artists. In 1452, he traveled to Rome where he became a member of the Guild of Saint Luke.
Piero returned to Florence in 1460 and began painting religious subjects that were very popular at the time. His mastery of composition, color, and detail made him one of the leading painters of his day.