Nothing can happen until the Middle Void is there. This is why white, unpainted space is essential in the Chinese landscape. Man also plays an important part in this. We breathe in, retain, and exhale in the yogic practice of pranayama. The breath is vital to life; without it, we die. In much the same way, the Middle Void is essential to life; without it, we die as civilizations.
The painter strives to express the essential Tao that underlies all phenomena. He seeks truth through intuition rather than reason, and his work is a reflection of this quest. The Chinese landscape is a powerful metaphor for existence itself. It is an endless flow of change, yet at its heart lies a stillness that can never be moved. Landscapes are important in Chinese culture because they offer glimpses into the eternal mystery of life.
In conclusion, the Chinese artist wants to express the essential Tao that underlies all phenomena.
Nothing can happen without the Middle Void, which is why the white, unpainted area in the Chinese landscape is so important. This is also where man plays an important role. In the gap between Heaven and Earth, he becomes the channel of communication between the two poles of the Universe. He builds houses for his family, stores food, and even makes weapons.
The Middle Void provides protection from the wind, rain, and snow. It also provides relief from the heat of the sun during the summer and the cold of the winter. Without it, there would be no place for people to live.
In modern times, this concept is used by architects to create spaces within buildings. The void allows natural light into the space while providing privacy to its occupants.
Answer: Chinese landscape paintings typically feature a lot of unpainted spaces, but Western landscapes do not always have a lot of white space. White space is prized in order to allow the painting to breathe and for the viewers to utilize their imaginations to interpret the scenario. Without this element, even a scene that is quite ordinary would become dull and boring.
There are two types of Class 11 spaces: one is used as a viewfinder before beginning the painting; the other is visible after completing it. For example, when I start a painting, I often draw (or paint) the background first, so that I know what size the finished piece will be before starting to work on the subject itself. Then, once the composition is complete, I remove any visible traces of the background by simply covering it with thin layers of transparent colors. This creates a pure canvas for me to express myself upon.
In conclusion, a Chinese landscape usually has a lot of white space because it is considered important for the painting to "breathe". This allows the viewer to imagine what the picture is all about even though it may look quite plain at first glance.
There is no place for battle, violence, the naked, death, or martyrdom among the common subjects of traditional Chinese painting. Inanimate stuff is never depicted for the purpose of beauty alone: the rocks and streams themselves are considered to be alive, apparent expressions of the universe's invisible powers. Human beings are seen as part of this world, not separate from it.
Thus Chinese art is about understanding life and its cycles, the interaction between people and nature, and the impermanence of all things. The ancients believed that by looking deeply into life you could see how these things worked together in harmony or conflict. Through painting and poetry they tried to express this knowledge for others to understand.
Chinese painting is about observation. You look at something, perhaps a tree or a rock, and ask yourself what it is and what is around it. You consider the relationship between the two things - is the tree growing near some water? If so, then it is probably a tree. If not, then it is probably a rock. You notice how the light falls on it, maybe illuminating some details you had not seen before. Maybe you will paint some other objects which are similar to this one. But you do not just copy what you see, because then it would be a picture instead of a painting. You use your imagination and create something new that has never existed before.
Chinese painting is about discipline.