The persistent appeal of the self-portrait phenomenon is highlighted by an eclectic look at the work of well-known personalities, including Rembrandt, Picasso, Frida Kahlo, Norman Rockwell, Claude Monet, and Vincent van Gogh. The book begins with a chapter on self-portraiture by art historian John Russell, followed by chapters on other influential artists' works.
Self-portraiture has been used by artists as a means of personal expression for centuries. The Italian Renaissance artist Sandro Botticelli is known to have painted himself many times. Other notable painters include Raphael, Michelangelo, and Caravaggio.
In addition to being artistic subjects themselves, portraiture was also used as a form of social commentary from the 16th century onwards. This can be seen in paintings by Francisco de Goya and Édouard Manet, for example.
Modern artists who have made self-portraits include Andy Warhol, Robert Mapplethorpe, and Jeff Koons.
Self-portraits are still made today, especially by young artists looking for inspiration. For example, the self-portrait by David Hockney that opens this chapter is said to be one of the reasons why he is now regarded as one of the most important photographers of the 20th century.
Self-portraiture did not become its own genre until the 15th century, when the German painter Albrecht Durer began producing realistic pictures of his face and body. Artists ranging from Rembrandt to Frida Kahlo have used self-portraiture as a prominent element in their work since then.
In addition to being an important aspect of many artists' careers, self-portraits are often included in museum collections to demonstrate the influence that particular individuals had on art history.
Here are just a few examples of self-portraits by famous artists: Pablo Picasso, Henri de Toulouse-Lautrec, Vincent van Gogh, Marcel Duchamp, Andy Warhol, and Bruce Nauman.
While Rembrandt's self-portraits are many (over 90 are documented), Self-Portrait brilliantly reflects the Dutch Golden Age painter's characteristic use of light, textured brushstrokes and a gloomy color pallet. It is generally accepted that it was done around 1630 in Rome where Rembrandt was working at the time as an assistant to the Italian painter Raphael Danzico.
The portrait shows a young man in late Renaissance or early Baroque style dress with a skull and crossbones pinning his cloak back from his shoulders. He is looking straight at the viewer with a serious expression. His left hand is resting on his hip while his right hand is tucked into his belt loop. He has dark hair and eyes and he is quite pale compared to the brown skin of his face. This is probably because of all of Rembrandts' self-portraits, this is the only one not to be based on a real person. It is a creative interpretation of himself after all!
Rembrandt used elements from several sources to create his portrait. He copied the pose from a young man in a painting by Raphael but changed some details such as the clothes. Then he added his own ideas about how a self-portrait should look like. For example, he placed the figure against a dark background instead of a bright one like in Raphael's work.
From Frida Kahlo to Cindy: 10 Self-Portrait Masters
Self-portraiture is a long-standing type of portraiture that dates back to Ancient Egypt. Since then, numerous Old Masters and contemporary artists have recreated their own pictures in a number of mediums, for a variety of creative purposes...
Since then, numerous Old Masters and contemporary artists have recreated their own pictures in a number of mediums, for a variety of creative purposes.
Portraits are often used as evidence that one has lived or is still living. They can also be used to depict someone who is no longer alive but whose memory is kept alive through stories told about them, or even after their death. Famous portraits range from those done during life to portray a person's appearance to those painted after the death of the subject. Both types of portrait help us understand more about history and culture. Self-portraits are images made by artists who want to show themselves working on a project, playing an instrument, or just relaxing.
The word "self-" plus the name of a person or thing defines a self-portrait. Thus, a self-portrait is a picture that shows one side of the artist's face or body.
Egon Schiele painted numerous controversial and shocking self-portraits in his recognizable expressionistic style, Edvard Munch painted himself on a regular basis to show the ill treatment he received in life, Frida Kahlo painted over 50 self-portraits to depict her personal torment, and the German Impressionists repainted themselves.
Self-portraiture is the art of photographing oneself, usually with some intention beyond simple vanity. The photographs may be taken as studies for future paintings, or as documentation of some event, such as a graduation ceremony. The term "self-portrait" is often used interchangeably with "autoportrait", but they are not identical: while an autoportrait is necessarily about the artist, this is not always the case with a self-portrait. An example of a self-portrait that is not an autoportrait is Thomas Gainsborough's 1760 portrait of his wife Sarah. Although it is about someone other than the artist, it still reflects aspects of Gainsborough's personality.
Gabriel García Márquez has been called the most popular Spanish-language author of all time, and he certainly was prolific – he wrote six novels and several other works including two memoirs.
Although the two styles have more in common than meets the eye, the fundamental distinction is that self-portraits take more time, money, and expertise to make, whereas selfies are generated by a far wider spectrum of individuals and are changing the world of art history as we know it. Self-portraits were popular during an era when few other forms of artistic expression were available, so they can be seen as pioneering portraits made by others as well.
They are called self-portraits because they show us what a person looks like without any help from others. A selfie, on the other hand, is a self-portrait taken by or with the aid of a smartphone or similar device. Although most selfies are taken by single people, there are group selfies where many people take pictures simultaneously, often at social events such as parties or concerts.
The first known use of the term "selfie" was in 2009 when British photographer David Levenson described his work in this way in an interview with The Guardian. However, it wasn't until 2013 that the word became widely used online. In 2014, The New York Times defined a selfie as a photograph that you take of yourself.
People have been taking pictures of themselves for quite some time now. The invention of photography has only increased the number of self-portraits that can be made.